Radio do Canibal review from Brazil

Review by Arthur for 365 Albums A Year blog

Co-sign.

From the Home of Brown Babies & White Mothers

I just got a glorious package in the mail today that made this gloomy Wednesday very happy. This is why I love DIY'ers and Minnehappiness...
 Details are what makes art ART and life worth living.  I love all of the little things about this package.  It's screen-printed on one side with the promo font, it has a Big Quarters sticker that resembles a stamp in the upper left hand side, on the the upper right is a stamp that reads "Free Shipping" (the last track on the album), they included stickers (who doesn't like stickers!?), pins (coming back in style), a lovely artist's EP that Zach has been working with, and the ultimate personal touch: a signed picture with a shout to yours truly.  It all is very special.

Their attention to detail can be found in their music, especially in this album.  Things like the background sample of Brandon's significant other laughing in mid-thought ("Wipe the Dust"), the unique recording of screams used as emphasis throughout the record, the balancing of heavy drums and basslines with airy melodies ("All Day Long") that match the lyrical content perfectly, and the extended instrumentals to let that 'ish breathe.

The intricate details are all finely aligned and all of the pieces come together to make a very cohesive album.  It has all of the bases covered: knowledge drops ("Protection"), comments about the industry ("Barter System"), the grind ("Blessed"), tragic tales ("All Day Long"), dope instrumental ("Can't Won't"), one for the ladies that still bangs ("Ladies Know"), growing up ("One On the Lip"), and uptempo/experimental joint ("Free Shipping").

My favorite line on the album that I believe sums up what Big Quarters is all about:

"Forget what you put in, truth's in the puddin'.  Made in an instant, wouldn't taste your cookin' - GOOD LOOKIN!"

The State radio show broadcast featuring tracks from the new album with in-studio guest, Brandon Allday

P.O.S | Never Better

"Sorry it took so long," Steph says as the album opens up.  I've been looking forward to this, but contrary to Steph's assumption I haven't been waiting.  Not because I'm not a fan and don't dissect everything he does, but because his sophomore album was so thick and freakin' good that I listened to it in its entirety just a few weeks ago because I was in the mood.

On my way to Fifth Element I happened to catch P.O.S live on The Current with resident Rhymesayers DJ and all-around good guy, Plain Ole Bill.  It was a great interview and excellent performances by both Steph and Bill providing just the right amount of Plain sauce.  During the interview Steph made it clear that there isn't anywhere in the country as "cool" (no pun) as Minneapolis.  He's been everywhere and states that there's nothing like Minnehappiness: it's not too big where he's bombarded with advertisements when he goes downtown, and it's not so small that there's nothing to do (highly paraphrased).  As for the winter, he welcomes it because it forces him to be productive.  Definitely check P.O.S and Bill as they storm the country bringing the perfect fusion of hip-hop, spoken word and rock on their Never Better Tour.

The Album

It's really good.  For perspective, I think Audition is amazing and I knew it after my first listen.

The sound is still distinctly what you've come to expect from P.O.S and the rest of the Doomtree crew.  This time around, they've stretched even further towards a rock sensibility.  There's a little more guitar and a few songs seem to have almost a classic rock frame to them.  For instance, "Low Light Low Life" production feels too polished for the album, for P.O.S, and definitely for Sims and Dessa.  Don't get me wrong, both Sims and Dessa can rock a mic and are poets in their own rights.  But their verses seem out of place and almost put to shame by the polished  beat by Paper Tiger.  This is all unusual especially because this doesn't seem like a beat Paper Tiger would make.  I'm all about artists experimenting, but I think this million-dollar-beat attempt doesn't quite work.  To top it all off, the semi-singing of the hook just makes this track more... usual.  "Goodbye" also falls into a similar disappointment.  I actually love the lyrics and message of "Goodbye" but the production would be better suited for a Top-40 song.  I really hate to say that because it pained me to see that "Goodbye" was produced by Lazerbeak (Legend recognize Legend).  Until this track, I've loved everything he's done and, in fact, worshipped some (most notably, "Stand Up").

Enough bashing two songs.  That's two songs out of 15 (16 if you count the "hidden" track at the end) that aren't refreshingly genuine and well crafted.  Despite my ribbing of the production on the aforementioned tracks, the rest of the songs are awesome.  In fact, the drums are so heavy, spacious, and detailed on most of the tracks ("Drumroll", "Get Smokes"...) that I was sure I was going to see credit to Steph's punk band Building Better Bombs.  Nope, perhaps Lazerbeak, Paper Tiger et al sampled a live drum kit to make the beats.  Nevertheless, production on most everything feels very organic with stabs of drums, synths, horns and whatever in just the right spots to keep you guessing and making every listen a new experience.

The production would be nothing without an amazing wordsmith with a flow that can heat up a Minnesnowta winter.  Steph's flow is at home riding eighth-note high-hats or lingering over heavy kicks.  More often it's spat a mile-a-minute with thoughts intricately woven and layered so thick that it takes multiple listens to truly appreciate his writing ability.  And once you take-in everything he's conveying you appreciate his flow even more for his uncanny ability to fit it all in 16 bars.  Steph has also grown as a songwriter most evidence in "Been Afraid" where he paints a story of two abused children, turned lovers.  It's disgusting and beautiful at the same time, made all the more potent by his ability to build two complex characters so quickly.

There are a lot of amazing quotables from the album that I'd like to call out, but I'm done writing.  I'm on to listening to the album again, as you should.

Pic for next single (next on the airwaves): "Optimist"

Brilliant track: "Purexed", "Been Afraid"

Deeply introspective track: "Out of Category"

*** I will not post any tracks.  If you want to listen, head to Fifth Element, peep his Myspace... nah, just buy it because you need this.